I teamed up with Clarence Moye to discuss the big 6 categories for this year's Academy Awards. Since the summer is just starting to wind down, a lot of the more awards-friendly films are on the horizon, and we wanted to try and predict the nominees. Each day we are going to discuss some contenders, and today we are going to start with Best Actor.
Moser
- Best Actor
Chadwick
Boseman, Get On Up
Steve
Carell, Foxcatcher
Michael
Keaton, Birdman
Eddie
Redmayne, The Theory of Everything
Timothy
Spall, Mr. Turner
Moye -
Best Actor
Chadwick
Boseman – Get On Up
Steve
Carell – Foxcatcher
Ellar
Coltrane – Boyhood
Michael
Keaton – Birdman
Timothy Spall – Mr. Turner
Moser:
To be honest, I find myself not caring for Best Actor a lot. I am always a lot
more interested in the Actress races, but Lead Actor is tied in with Picture a
lot (especially in the last decade). Steve Carell leads the pack for Bennett
Miller's Foxcatcher, but is he going to be joined by any of his co-stars? I
have a feeling that Mark Ruffalo and Channing Tatum will be campaigned in
Supporting. Do you think Carell is way out in front?
Moye: Probably, but only because he’s
the strongest contender that’s been widely seen. He hasn’t really had a role
like this before, and, by all accounts, he knocks it out of the park. This
seems to be his time, if not to win, then to be nominated. Plus, I think
overall love for Foxcatcher and respect for Bennett Miller as an artist will
help. I can understand where you’re coming from about the Best Actor race. We
haven’t had a truly exciting race in the Best Actor field since probably 2008
when Sean Penn and Mickey Rourke fought it out or a truly shocking winner since
way back in 2002 when Adrien Brody unexpectedly triumphed for The Pianist.
Moye: I was very afraid Mickey Rourke
would win as I was squarely in Team Penn that year. I actually hated The
Wrestler, but that’s a conversation for another day. Back on 2014, at this
point, my thoughts are all shots in the dark. I would love to see Ellar
Coltrane nominated for his unique work in Boyhood. As a child, I had visions of
becoming an actor in a very similar manner to Coltrane’s experience, so it’s
kind of a “one for all of us” success story. Beyond that, there isn’t an
obvious front-runner this year. Not like last year when those early pictures of
Matthew McConaughey showed how far he was willing to go for Oscar. Carell could
be that guy (great performance + prosthetics = Nicole Kidman’s Oscar win in The
Hours), so Team Foxcatcher would be wise to push Ruffalo and Tatum to
supporting, which I think they will do.
"If we put our heads together we can BOTH get nominated..."
Moser:
I agree that everyone else in Foxcatcher will go supporting. When was the last time either of the Actor
races had more than one nominee (for those keeping track at home, Lead Actor
hasn’t had multiple nominees from the same film since 1984)?
Moye:
I have to admit I had to look that one up. The Dresser? Have you ever heard of
that one?
Moser:
I haven’t heard of it! I am a huge fan
of Albert Finney (thanks, Dad), so I will try to track it down. I wonder why it’s so much more common for
women (especially in Supporting Actress) to get doubled up? Can the Academy only “handle” the idea of one
man leading the way, torch blazing, for a film. I’d argue that Brokeback
Mountain had two leading performances.
Maybe they are more comfortable committing category fraud just to get
more nominations?
I’m
with you with Carell. I don’t know if he will take it all the way, but the
trailers have been hinting at an astonishing turn. It’s definitely not something
we’re used to seeing him in. I am so glad you brought up Chadwick Boseman as
James Brown in Get On Up. I feel like that could have a lot more heat than
people are anticipating. The film had a 100% on Rotten Tomatoes, and he could
definitely get a bump when Golden Globe nominations come out.
"Ain't nobody got time for Oscar!"
Moye:
I’m less hot on Boseman than when I first made this list. I figured the film
was well positioned for some late summer box office, but it’s not The Help or
The Butler judging from this weekend’s numbers. We’ll see how it trends over
the next few weeks, but I suspect his performance is going to get lost in the
noise. Much like his acclaimed work in last year’s 42.
Moser:
I thought Get On Up would at least take the number two spot at the box office
this week, but it looks like Scarlett Johansson held strong. He’s still getting
good notices, though, so I will keep him in there for the time being. He’s the
most susceptible to falling out at the moment. Would you agree? Who do you
think could take his place? Maybe Joaquin Phoenix in Inherent Vice? He can try
as hard as he want to not get a
nomination, but he’s such a great actor.
Moye:
He’s a possibility, but it depends on how big his role is and out “out there”
the film itself is. I’m getting an ensemble vibe from what I’ve heard, and I’m
way too lazy to read the novel. I suppose Ben Affleck is a possibility for Gone
Girl, but he’s never been nominated for his performances. This one, I think,
isn’t going to change that. If Boseman falls out, then there are a lot of
candidates to take his slot but little to narrow them down. I do want to
mention two fascinating possibilities that I will be watching through the rest
of the year: Bill Hader in The Skeleton Twins (love the trailer but the film
may be too small) and Philip Seymour Hoffman in A Most Wanted Man (strong indie
box office and one of his last roles).
On the fringe?
Moser: I was tempted to put Affleck in there,
because I think he’s perfectly cast in Gone Girl. The characters that he and Rosamund Pike play
really go hand in hand, so maybe he can get in there—especially if the film is
a success with the Academy.
Moye:
Not gonna happen…
Moser:
ANYWAY (we all know I have a Gone Girl/David Fincher boner), I would also love
to see Spall get in there, but that’s mainly because I’m a huge Harry Potter
fan. I’ve loved Spall for a long time. The one I’m not entirely sold on is your
pick of Ellar Coltrane. The story of Boyhood
is so fascinating, and it’s the best-reviewed film of the year. I am just not sure the Academy will give him
a nomination. I see them going for
something more “Academy traditional.”
Moye:
I have two words for you: Quvenzhané Wallis. I’m shooting for the stars with my
Coltrane pick in the hopes enough people start beating the drum. The Academy
loves consensus.
Moser: A lot of people counted out Wallis because of
her age, I think. I don’t want to say
her nomination was a surprise, but I think people wiped their brows in
relief when her name was called. The key is to keep his presence
up for the rest of the season.
Linklater’s stuff usually comes out in the summer, and I think more
visibility at the end of the year would definitely help. Maybe they will re-release it? It’s safe to say that we both have our fingers
crossed for Coltrane.
Moye:
The critics need to bring it back at the end of the year, and, based on the
nearly unparalleled reviews, they will. Plus, I suspect the film is intimate
enough to play very well on Academy screeners. I’m seeing the film this week,
so I’ll more to say later in our discussion.
Moser:
Since we’re both seeing it this week, we can both report back on Coltrane’s
performance and how we think he fits into Best Actor.
Moye:
It’s a date. Hey, this was fun. Best actress tomorrow?
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